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The Paradine Case

The Paradine Case

Drama · Mystery · Romance · 1947

In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.

Movie details

The Paradine Case

“The dramatic case of a beautiful woman whose trial for murder held the nation spellbound.”

1947 Drama · Mystery · Romance 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In London, barrister Anthony Keane takes the case of Maddalena Paradine, a beautiful woman accused of poisoning her blind husband. Though happily married, Keane becomes infatuated with his enigmatic client and convinced of her innocence. His obsession clouds his judgment as he builds a defense implicating her servant, André Latour—an act that leads to devastating consequences both in court and at home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Paradine Case?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alfred Hitchcock

Written by

David O. Selznick

Gregory Peck

Gregory Peck

Anthony Keane

Ann Todd

Ann Todd

Gay Keane

Alida Valli

Alida Valli

Mrs. Paradine

Charles Laughton

Charles Laughton

Judge Lord Thomas Horfield

Charles Coburn

Charles Coburn

Sir Simon Flaquer

Ethel Barrymore

Ethel Barrymore

Lady Sophie Horfield

Louis Jourdan

Louis Jourdan

Andre Latour

Court is in session

Put The Paradine Case on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.