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Cop

Cop

Crime · Drama · Mystery · 1988

An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.

Movie details

Cop

“A killer on the loose. A cop on the edge.”

1988 Crime · Drama · Mystery 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cop?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Blindfire

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Shot Caller

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The Whisper Man

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Cape Fear

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Copycat

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An agoraphobic psychologist and a female detective must work together to take down a serial killer who copies serial killers from the past.

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Names above the title

The people responsible.

Directed by

James B. Harris

Written by

James B. Harris

James Woods

James Woods

Lloyd Hopkins

Lesley Ann Warren

Lesley Ann Warren

Kathleen McCarthy

Charles Durning

Charles Durning

Dutch Peltz

Charles Haid

Charles Haid

Delbert W. 'Whitey' Haines

Raymond J. Barry

Raymond J. Barry

Captain Frederick W. Gaffney

Randi Brooks

Randi Brooks

Joanie Pratt

S

Steven Lambert

Bobby Franco

Court is in session

Put Cop on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.