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Carry On Nurse

Carry On Nurse

Comedy · 1959

In Haven Hospital, a certain men's ward is causing more havoc than the whole hospital altogether. The formidable Matron's debut gives everyone a chill every time she walks past, with only Reckitt standing up to her. There's a colonel who's a constant nuisance, a bumbling nurse, a romance between Ted York and Nurse Denton, and Bell wants his bunion removed straight away, so after a couple of pints, the men decide to remove the bunion themselves!

Movie details

Carry On Nurse

“It'll fracture your funnybone !”

1959 Comedy 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In Haven Hospital, a certain men's ward is causing more havoc than the whole hospital altogether. The formidable Matron's debut gives everyone a chill every time she walks past, with only Reckitt standing up to her. There's a colonel who's a constant nuisance, a bumbling nurse, a romance between Ted York and Nurse Denton, and Bell wants his bunion removed straight away, so after a couple of pints, the men decide to remove the bunion themselves!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Carry On Nurse?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Gerald Thomas

Written by

Norman Hudis

Kenneth Connor

Kenneth Connor

Bernie Bishop

Shirley Eaton

Shirley Eaton

Staff Nurse Dorothy Denton

Charles Hawtrey

Charles Hawtrey

Humphrey Hinton

Hattie Jacques

Hattie Jacques

Matron

Terence Longdon

Terence Longdon

Ted York

Bill Owen

Bill Owen

Percy "Perc" Hickson

Leslie Phillips

Leslie Phillips

Jack Bell

Court is in session

Put Carry On Nurse on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.