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Thank You, Life

Thank You, Life

Drama · 1991

Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.

Movie details

Thank You, Life

1991 Drama 1h 57m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

1.4K votes

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Thank You, Life?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Bertrand Blier

Written by

Bertrand Blier

Charlotte Gainsbourg

Charlotte Gainsbourg

Camille Pelleveau

Anouk Grinberg

Anouk Grinberg

Joëlle

Michel Blanc

Michel Blanc

Raymond Pelleveau, le père jeune

Jean Carmet

Jean Carmet

Raymond Pelleveau, le père âgé

Annie Girardot

Annie Girardot

Evangeline Pelleveau, la mère âgée

Jean-Louis Trintignant

Jean-Louis Trintignant

le colonel SS

Catherine Jacob

Catherine Jacob

Evangeline Pelleveau, la mère jeune

Court is in session

Put Thank You, Life on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.