The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
4th Man Out
Comedy · Drama · 2015
After a night of drinking, Adam Hutcherson stumbles out of the closet to his three straight buddies. A disruption to their dynamic which they now must try and overcome through alcohol, Tinder dates and forgiveness.
Movie details
4th Man Out
“Friends don't let friends come out alone.”
2015 Comedy · Drama 1h 27m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
After a night of drinking, Adam Hutcherson stumbles out of the closet to his three straight buddies. A disruption to their dynamic which they now must try and overcome through alcohol, Tinder dates and forgiveness.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over 4th Man Out?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Andrew Nackman
Written by
Aaron Dancik
Evan Todd
Adam
Parker Young
Chris
Chord Overstreet
Nick
Jon Gabrus
Ortu
Jennifer Damiano
Tracy
Jordan Lane Price
Jessica
Kate Flannery
Karen
Court is in session
Put 4th Man Out on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.