“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The Slammin' Salmon
Comedy · 2009
The brutal former heavyweight boxing champion Cleon "Slammin'" Salmon (Duncan), now owner of a Miami restaurant, institutes a competition to see which waiter can earn the most money in one night: the winner stands to gain $10,000, while the loser will endure a beating at the hands of the champ.
The Slammin' Salmon
“Bring a bib, it's gonna get messy.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.4 / 10
15.8K votes
Rotten Tomatoes
35 %
Tomatometer
Metacritic
40 / 100
Metascore
TMDB
5.8 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
The brutal former heavyweight boxing champion Cleon "Slammin'" Salmon (Duncan), now owner of a Miami restaurant, institutes a competition to see which waiter can earn the most money in one night: the winner stands to gain $10,000, while the loser will endure a beating at the hands of the champ.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Slammin' Salmon?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Big-Idea Head
“You watch with your brain, not your gut.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Kevin Heffernan
Written by
Jay Chandrasekhar · Erik Stolhanske · Steve Lemme · Paul Soter
Put The Slammin' Salmon on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.






