The defence The Prestige Tourist
“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.
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Carlin at Carnegie
Comedy · 1983
Recorded at Carnegie Hall, New York City in 1982, released in 1983. Most of the material comes from his A Place for My Stuff, the album released earlier that same year. The final performance of "Seven Dirty Words," his last recorded performance of the routine, features Carlin's updated list.
Movie details
Carlin at Carnegie
1983 Comedy 1h 0m
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
7.9 / 10
1.2K votes
TMDB
7.6 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Recorded at Carnegie Hall, New York City in 1982, released in 1983. Most of the material comes from his A Place for My Stuff, the album released earlier that same year. The final performance of "Seven Dirty Words," his last recorded performance of the routine, features Carlin's updated list.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Carlin at Carnegie?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Names above the title
The people responsible.
Cast & crew
Directed by
Steven J. Santos
Written by
George Carlin
George Carlin
Self
Court is in session
Put Carlin at Carnegie on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.