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Alien

Alien

Horror · Science Fiction · 1979

During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.

Movie details

Alien

“In space no one can hear you scream.”

1979 Horror · Science Fiction 1h 57m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Alien?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Ridley Scott

Written by

Dan O'Bannon · Ronald Shusett

Tom Skerritt

Tom Skerritt

Dallas

Sigourney Weaver

Sigourney Weaver

Ripley

Veronica Cartwright

Veronica Cartwright

Lambert

Harry Dean Stanton

Harry Dean Stanton

Brett

John Hurt

John Hurt

Kane

Ian Holm

Ian Holm

Ash

Yaphet Kotto

Yaphet Kotto

Parker

Court is in session

Put Alien on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.