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The Book of Love

The Book of Love

Drama · 2017

After tragedy strikes Henry and Penny, he befriends a tenacious young girl and discovers she is constructing a raft to sail across the Atlantic to find her lost father. Together, along with some unlikely friends, they set forth to construct the vessel and subsequently rebuild their lives.

Movie details

The Book of Love

“How far would you go for a lost love?”

2017 Drama 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

6.0 / 10

4.9K votes

Rotten Tomatoes

8 %

Tomatometer

Metacritic

27 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

After tragedy strikes Henry and Penny, he befriends a tenacious young girl and discovers she is constructing a raft to sail across the Atlantic to find her lost father. Together, along with some unlikely friends, they set forth to construct the vessel and subsequently rebuild their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Book of Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Bill Purple

Written by

Robbie Pickering · Bill Purple

Jason Sudeikis

Jason Sudeikis

Henry Herschel

Maisie Williams

Maisie Williams

Millie Pearlman

Jessica Biel

Jessica Biel

Penny Herschel

Mary Steenburgen

Mary Steenburgen

Julia Mureaux

Orlando Jones

Orlando Jones

Cornelius 'Dumbass' Thibadeaux

Paul Reiser

Paul Reiser

Wendell

Joshua Mikel

Joshua Mikel

Thor Heyerdahl

Court is in session

Put The Book of Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.