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Stanley & Iris

Stanley & Iris

Drama · Romance · 1990

An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.

Movie details

Stanley & Iris

“Some people need love spelled out for them.”

1990 Drama · Romance 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Stanley & Iris?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martin Ritt

Written by

Harriet Frank Jr. · Irving Ravetch

Jane Fonda

Jane Fonda

Iris King

Robert De Niro

Robert De Niro

Stanley Cox

Swoosie Kurtz

Swoosie Kurtz

Sharon

Martha Plimpton

Martha Plimpton

Kelly King

Jamey Sheridan

Jamey Sheridan

Joe

Feodor Chaliapin Jr.

Feodor Chaliapin Jr.

Leonides Cox

Zohra Lampert

Zohra Lampert

Elaine

Court is in session

Put Stanley & Iris on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.