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Dark City

Dark City

Drama · Thriller · Crime · 1950

Gamblers who "took" an out-of-town sucker in a crooked poker game feel shadowy vengeance closing in on them.

Movie details

Dark City

“A tense, tough drama of underworld violence and revenge !”

1950 Drama · Thriller · Crime 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Gamblers who "took" an out-of-town sucker in a crooked poker game feel shadowy vengeance closing in on them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dark City?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Miller's Crossing

Miller's Crossing

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Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

The Killing

The Killing

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Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

L.A. Confidential

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Casino

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The Big Sleep

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Blue Velvet

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Names above the title

The people responsible.

Directed by

William Dieterle

Written by

Lawrence B. Marcus · John Meredyth Lucas

Charlton Heston

Charlton Heston

Danny Haley

Lizabeth Scott

Lizabeth Scott

Fran Garland

Viveca Lindfors

Viveca Lindfors

Victoria Winant

Dean Jagger

Dean Jagger

Captain Garvey

Don DeFore

Don DeFore

Arthur Winant

Jack Webb

Jack Webb

Augie

Ed Begley

Ed Begley

Barney

Court is in session

Put Dark City on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.