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Dou kyu sei – Classmates

Dou kyu sei – Classmates

Romance · Animation · 2016

Rihito Sajo, an honor student with a perfect score on the entrance exam and Hikaru Kusakabe, in a band and popular among girls, would have never crossed paths. Until one day they started talking at the practice for their school’s upcoming chorus festival. After school, the two meet regularly, as Hikaru helps Rihito to improve his singing skills. While they listen to each other’s voice and harmonize, their hearts start to beat together.

Movie details

Dou kyu sei – Classmates

“Sincerely, Slowly, Falling in Love.”

2016 Romance · Animation 1h 1m

Critical arithmetic

One number, for now.

TMDB

8.3 / 10

Community rating

Rihito Sajo, an honor student with a perfect score on the entrance exam and Hikaru Kusakabe, in a band and popular among girls, would have never crossed paths. Until one day they started talking at the practice for their school’s upcoming chorus festival. After school, the two meet regularly, as Hikaru helps Rihito to improve his singing skills. While they listen to each other’s voice and harmonize, their hearts start to beat together.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dou kyu sei – Classmates?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Shoko Nakamura

Written by

Asumiko Nakamura

Kenji Nojima

Kenji Nojima

Rihito Sajo (voice)

Hiroshi Kamiya

Hiroshi Kamiya

Hikaru Kusakabe (voice)

Hideo Ishikawa

Hideo Ishikawa

Manabu Hara (voice)

Y

Yurino

Mikipon (voice)

Court is in session

Put Dou kyu sei – Classmates on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.