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Things to Come

Things to Come

Drama · 2016

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Movie details

Things to Come

2016 Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Things to Come?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mia Hansen-Løve

Written by

Mia Hansen-Løve

Isabelle Huppert

Isabelle Huppert

Nathalie Chazeaux

André Marcon

André Marcon

Heinz

Roman Kolinka

Roman Kolinka

Fabien

Édith Scob

Édith Scob

Yvette

Sarah Le Picard

Sarah Le Picard

Chloé

Solal Forte

Solal Forte

Johann

Élise Lhomeau

Élise Lhomeau

Elsa

Court is in session

Put Things to Come on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.