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A Night at the Opera

A Night at the Opera

Comedy · Music · 1935

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Movie details

A Night at the Opera

“Don't miss it! The funniest picture ever made!”

1935 Comedy · Music 1h 31m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Night at the Opera?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sam Wood

Written by

Morrie Ryskind · James Kevin McGuinness · George S. Kaufman

Groucho Marx

Groucho Marx

Otis B. Driftwood

Chico Marx

Chico Marx

Fiorello

Harpo Marx

Harpo Marx

Tomasso

Kitty Carlisle

Kitty Carlisle

Rosa

Allan Jones

Allan Jones

Ricardo Barroni

Sig Ruman

Sig Ruman

Gottlieb

Walter Woolf King

Walter Woolf King

Lassparri

Court is in session

Put A Night at the Opera on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.