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Dragon Ball Z: Bojack Unbound

Dragon Ball Z: Bojack Unbound

Action · Animation · Science Fiction · 1993

Mr. Money is holding another World Martial Arts Tournament and Mr. Satan invites everyone in the world to join in. Little does he know that Bojack, an ancient villain who has escaped his prison, is competing. Since Goku is currently dead, it is up to Gohan, Vegeta, and Trunks to defeat Bojack and his henchman.

Movie details

Dragon Ball Z: Bojack Unbound

“A new threat emerges. A champion prepares.”

1993 Action · Animation · Science Fiction 51m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Mr. Money is holding another World Martial Arts Tournament and Mr. Satan invites everyone in the world to join in. Little does he know that Bojack, an ancient villain who has escaped his prison, is competing. Since Goku is currently dead, it is up to Gohan, Vegeta, and Trunks to defeat Bojack and his henchman.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dragon Ball Z: Bojack Unbound?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Yoshihiro Ueda

Written by

Yoshihiro Ueda · Takao Koyama

Masako Nozawa

Masako Nozawa

Son Goku / Son Gohan (voice)

Daisuke Gori

Daisuke Gori

Mr. Satan (voice)

Tessyo Genda

Tessyo Genda

Bojack (voice)

Toshio Furukawa

Toshio Furukawa

Piccolo (voice)

Mayumi Tanaka

Mayumi Tanaka

Kuririn (voice)

Takeshi Kusao

Takeshi Kusao

Future Trunks (voice)

Tomoko Maruo

Tomoko Maruo

Zangya (voice)

Court is in session

Put Dragon Ball Z: Bojack Unbound on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.