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Who's Afraid of Virginia Woolf?

Who's Afraid of Virginia Woolf?

Drama · 1966

A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.

Movie details

Who's Afraid of Virginia Woolf?

“You are cordially invited to George and Martha's for an evening of fun and games”

1966 Drama 2h 11m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Who's Afraid of Virginia Woolf??

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mike Nichols

Written by

Ernest Lehman

Elizabeth Taylor

Elizabeth Taylor

Martha

Richard Burton

Richard Burton

George

George Segal

George Segal

Nick

Sandy Dennis

Sandy Dennis

Honey

A

Agnes Flanagan

Roadhouse Waitress (uncredited)

F

Frank Flanagan

Roadhouse Manager (uncredited)

Court is in session

Put Who's Afraid of Virginia Woolf? on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.