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The Autopsy of Jane Doe

The Autopsy of Jane Doe

Horror · Mystery · 2016

Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.

Movie details

The Autopsy of Jane Doe

“Every body has a secret.”

2016 Horror · Mystery 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Autopsy of Jane Doe?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

André Øvredal

Written by

Ian B. Goldberg · Richard Naing

Emile Hirsch

Emile Hirsch

Austin Tilden

Brian Cox

Brian Cox

Tommy Tilden

Ophelia Lovibond

Ophelia Lovibond

Emma

Olwen Catherine Kelly

Olwen Catherine Kelly

Jane Doe

Michael McElhatton

Michael McElhatton

Sheriff Sheldon

Parker Sawyers

Parker Sawyers

Officer Cole

Jane Perry

Jane Perry

Lieutenant Wade

Court is in session

Put The Autopsy of Jane Doe on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.