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The Nanny

The Nanny

Drama · Thriller · Horror · 1965

Nanny, a London family's live-in maid, brings morbid 10-year-old Joey back from the psychiatric ward he's been in for two years, since the death of his younger sister. Joey refuses to eat any food Nanny's prepared or take a bath with her in the room. He also demands to sleep in a room with a lock. Joey's parents -- workaholic Bill and neurotic Virgie -- are sure Joey is disturbed, but he may have good reason to be terrified of Nanny.

Movie details

The Nanny

“Nanny wasn't responsible . . . WAS SHE?”

1965 Drama · Thriller · Horror 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Nanny, a London family's live-in maid, brings morbid 10-year-old Joey back from the psychiatric ward he's been in for two years, since the death of his younger sister. Joey refuses to eat any food Nanny's prepared or take a bath with her in the room. He also demands to sleep in a room with a lock. Joey's parents -- workaholic Bill and neurotic Virgie -- are sure Joey is disturbed, but he may have good reason to be terrified of Nanny.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Nanny?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Seth Holt

Written by

Jimmy Sangster

Bette Davis

Bette Davis

Nanny

Wendy Craig

Wendy Craig

Virginia 'Virgie' Fane

Jill Bennett

Jill Bennett

Aunt Pen

James Villiers

James Villiers

Bill Fane

William Dix

William Dix

Joey Fane

Pamela Franklin

Pamela Franklin

Bobbie Medman

Jack Watling

Jack Watling

Dr. Medman

Court is in session

Put The Nanny on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.