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Mary Magdalene

Mary Magdalene

Drama · 2018

In the first century, free-spirited Mary Magdalene flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher named Jesus.

Movie details

Mary Magdalene

“Her story will be told”

2018 Drama 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In the first century, free-spirited Mary Magdalene flees the marriage her family has arranged for her, finding refuge and a sense of purpose in a radical new movement led by the charismatic, rabble-rousing preacher named Jesus.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mary Magdalene?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fatima

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Drama · 2020

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle..

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Names above the title

The people responsible.

Directed by

Garth Davis

Written by

Helen Edmundson · Philippa Goslett

Rooney Mara

Rooney Mara

Mary Magdalene

Joaquin Phoenix

Joaquin Phoenix

Jesus

Chiwetel Ejiofor

Chiwetel Ejiofor

Peter

Ariane Labed

Ariane Labed

Rachel

Ryan Corr

Ryan Corr

Joseph

Tahar Rahim

Tahar Rahim

Judas

Hadas Yaron

Hadas Yaron

Sarah

Court is in session

Put Mary Magdalene on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.