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One from the Heart

One from the Heart

Drama · Romance · 1982

In a dazzling, dreamlike Las Vegas, longtime couple Hank and Frannie break up on their fifth anniversary and each pursue the fantasy of new love over one neon-soaked night—he with a free-spirited acrobat, she with a seductive musician. But as illusion and reality blur, both must decide whether passion or devotion truly defines the heart.

Movie details

One from the Heart

“When Francis Ford Coppola makes a love story… don't expect hearts and flowers.”

1982 Drama · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

In a dazzling, dreamlike Las Vegas, longtime couple Hank and Frannie break up on their fifth anniversary and each pursue the fantasy of new love over one neon-soaked night—he with a free-spirited acrobat, she with a seductive musician. But as illusion and reality blur, both must decide whether passion or devotion truly defines the heart.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over One from the Heart?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Francis Ford Coppola

Written by

Armyan Bernstein · Francis Ford Coppola

Teri Garr

Teri Garr

Frannie

Frederic Forrest

Frederic Forrest

Hank

Raúl Juliá

Raúl Juliá

Ray

Nastassja Kinski

Nastassja Kinski

Leila

Lainie Kazan

Lainie Kazan

Maggie

Harry Dean Stanton

Harry Dean Stanton

Moe

Allen Garfield

Allen Garfield

Restaurant Owner

Court is in session

Put One from the Heart on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.