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Supersonic

Supersonic

Music · Documentary · History · 2016

Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.

Movie details

Supersonic

“The incredible true story of the band that defined an era.”

2016 Music · Documentary · History 1h 57m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Supersonic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mat Whitecross

Noel Gallagher

Noel Gallagher

Self

Liam Gallagher

Liam Gallagher

Self

Paul Arthurs

Paul Arthurs

Self (as Bonehead)

P

Paul Gallagher

Self

Peggy Gallagher

Peggy Gallagher

Self

Tony McCarroll

Tony McCarroll

Self

Alan McGee

Alan McGee

Self

Court is in session

Put Supersonic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.