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1 Night

1 Night

Drama · Romance · 2016

Thirty-something Elizabeth must decide whether to salvage her disappointing relationship with Drew. Meanwhile, Bea, a worrisome teenager, reconnects with her introverted childhood friend, Andy, at their high school prom. Past and present collide as two couples explore love over the course of one night at a hotel.

Movie details

1 Night

“Love can happen at any time.”

2016 Drama · Romance 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Thirty-something Elizabeth must decide whether to salvage her disappointing relationship with Drew. Meanwhile, Bea, a worrisome teenager, reconnects with her introverted childhood friend, Andy, at their high school prom. Past and present collide as two couples explore love over the course of one night at a hotel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 1 Night?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Ali and Nino

Ali and Nino

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The Disappearance of Eleanor Rigby: Her

The Disappearance of Eleanor Rigby: Her

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Told from the woman's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

Where it lives

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Names above the title

The people responsible.

Directed by

Minhal Baig

Written by

Minhal Baig

Kyle Allen

Kyle Allen

Andy

Isabelle Fuhrman

Isabelle Fuhrman

Bea

Justin Chatwin

Justin Chatwin

Drew

Anna Camp

Anna Camp

Elizabeth

Kelli Berglund

Kelli Berglund

Rachel

Roshon Fegan

Roshon Fegan

Henry

Evan Hofer

Evan Hofer

Dave

Court is in session

Put 1 Night on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.