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The St. Valentine's Day Massacre

The St. Valentine's Day Massacre

History · Crime · 1967

Chicago February 14th 1929. Al Capone finally establishes himself as the city's boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran's rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.

Movie details

The St. Valentine's Day Massacre

“The shocking truth about events leading up to one of the most violent days in American history!”

1967 History · Crime 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Chicago February 14th 1929. Al Capone finally establishes himself as the city's boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran's rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The St. Valentine's Day Massacre?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roger Corman

Written by

Howard Browne

Jason Robards

Jason Robards

Al Capone

George Segal

George Segal

Peter Gusenberg

Ralph Meeker

Ralph Meeker

George Clarence 'Bugs' Moran

Jean Hale

Jean Hale

Myrtle

Clint Ritchie

Clint Ritchie

Jack McGurn

Frank Silvera

Frank Silvera

Nick Sorello

Joseph Campanella

Joseph Campanella

Albert Wienshank

Court is in session

Put The St. Valentine's Day Massacre on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.