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A Bad Moms Christmas

A Bad Moms Christmas

Comedy · 2017

Amy, Kiki and Carla – three under-appreciated and over-burdened women – rebel against the challenges and expectations of the Super Bowl for mothers: Christmas. And if creating a more perfect holiday for their families wasn’t hard enough, they have to do all of that while hosting and entertaining their own mothers.

Movie details

A Bad Moms Christmas

“Celebrate the holidays like a mother.”

2017 Comedy 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Amy, Kiki and Carla – three under-appreciated and over-burdened women – rebel against the challenges and expectations of the Super Bowl for mothers: Christmas. And if creating a more perfect holiday for their families wasn’t hard enough, they have to do all of that while hosting and entertaining their own mothers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Bad Moms Christmas?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Scott Moore · Jon Lucas

Written by

Scott Moore · Jon Lucas

Mila Kunis

Mila Kunis

Amy

Kristen Bell

Kristen Bell

Kiki

Kathryn Hahn

Kathryn Hahn

Carla

Christine Baranski

Christine Baranski

Ruth

Susan Sarandon

Susan Sarandon

Isis

Cheryl Hines

Cheryl Hines

Sandy

Jay Hernandez

Jay Hernandez

Jessie

Court is in session

Put A Bad Moms Christmas on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.