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Leaving

Leaving

Drama · Romance · 2009

A bourgeois housewife, planning to go back to work as a physiotherapist after having devoted 20 years to her husband and two children, has her comfortable, elegant life turned upside down when she falls for a Spanish builder and begins a runaway affair.

Movie details

Leaving

2009 Drama · Romance 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A bourgeois housewife, planning to go back to work as a physiotherapist after having devoted 20 years to her husband and two children, has her comfortable, elegant life turned upside down when she falls for a Spanish builder and begins a runaway affair.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Leaving?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Catherine Corsini

Written by

Catherine Corsini · Gaëlle Macé

Kristin Scott Thomas

Kristin Scott Thomas

Suzanne

Sergi López

Sergi López

Ivan

Yvan Attal

Yvan Attal

Samuel

Bernard Blancan

Bernard Blancan

Rémi

Daisy Broom

Daisy Broom

Marion

Aladin Reibel

Aladin Reibel

Dubreuil

A

Alexandre Vidal

David

Court is in session

Put Leaving on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.