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The Baker's Wife

The Baker's Wife

Comedy · Drama · 1938

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

Movie details

The Baker's Wife

1938 Comedy · Drama 2h 13m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

In this little Provencal village, a new baker, Aimable, settles down. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he can not work anymore. Therefore, the villagers, who initially laughed at his cuckoldry, take the matter very seriously (they want the bread) and organize a plan to find Aurelie and to bring her back to the bakery.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Baker's Wife?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Marcel Pagnol

Written by

Marcel Pagnol

Raimu

Raimu

Aimable Castanier

Ginette Leclerc

Ginette Leclerc

Aurélie Castanier

Charles Moulin

Charles Moulin

Dominique, le berger

Fernand Charpin

Fernand Charpin

The Marquis Castan de Venelles

Robert Vattier

Robert Vattier

the priest

A

Alida Rouffe

Céleste, the good priest

Charles Blavette

Charles Blavette

Antonin

Court is in session

Put The Baker's Wife on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.