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The Wings of the Dove

The Wings of the Dove

Drama · Romance · 1997

Kate is secretly betrothed to a struggling journalist, Merton Densher. But she knows her Aunt Maude will never approve of the match, since Kate's deceased mother has lost all her money in a marriage to a degenerate opium addict. When Kate meets a terminally ill American heiress named Millie traveling through Europe, she comes up with a conniving plan to have both love and wealth.

Movie details

The Wings of the Dove

“A couple with everything but money. An heiress with everything but love. A temptation no one could resist.”

1997 Drama · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Kate is secretly betrothed to a struggling journalist, Merton Densher. But she knows her Aunt Maude will never approve of the match, since Kate's deceased mother has lost all her money in a marriage to a degenerate opium addict. When Kate meets a terminally ill American heiress named Millie traveling through Europe, she comes up with a conniving plan to have both love and wealth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wings of the Dove?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Iain Softley

Written by

Hossein Amini

Helena Bonham Carter

Helena Bonham Carter

Kate Croy

Linus Roache

Linus Roache

Merton Densher

Alison Elliott

Alison Elliott

Millie Theale

Elizabeth McGovern

Elizabeth McGovern

Susan Stringham

Charlotte Rampling

Charlotte Rampling

Aunt Maude

Alex Jennings

Alex Jennings

Lord Mark

Michael Gambon

Michael Gambon

Lionel Croy

Court is in session

Put The Wings of the Dove on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.