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The Phantom of the Opera

The Phantom of the Opera

Horror · Music · 1962

A London opera house is haunted by tragic events on its opening night, but when its star is kidnapped, a producer tracks down the Phantom who is intent on seeking his revenge.

Movie details

The Phantom of the Opera

“BENEATH HIS MASK...The Grotesque Face of Horror Unimaginable! INSIDE HIS HEART...The Desperate Desire for Beauty and Love!”

1962 Horror · Music 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A London opera house is haunted by tragic events on its opening night, but when its star is kidnapped, a producer tracks down the Phantom who is intent on seeking his revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Phantom of the Opera?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Ghost of Frankenstein

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Names above the title

The people responsible.

Directed by

Terence Fisher

Written by

Anthony Hinds

Herbert Lom

Herbert Lom

The Phantom (Prof. L. Petrie)

Heather Sears

Heather Sears

Christine Charles

Edward de Souza

Edward de Souza

Harry Hunter

Thorley Walters

Thorley Walters

Lattimer

Michael Gough

Michael Gough

Lord Ambrose d'Arcy

Harold Goodwin

Harold Goodwin

Bill

Martin Miller

Martin Miller

Rossi

Court is in session

Put The Phantom of the Opera on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.