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Men in Black: International

Men in Black: International

Comedy · Science Fiction · Action · 2019

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

Movie details

Men in Black: International

“The world's not going to save itself.”

2019 Comedy · Science Fiction · Action 1h 55m

Critical arithmetic

The consensus, allegedly.

IMDb

5.6 / 10

159.2K votes

Rotten Tomatoes

23 %

Tomatometer

Metacritic

38 / 100

Metascore

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The Men in Black have always protected the Earth from the scum of the universe. In this new adventure, they tackle their biggest, most global threat to date: a mole in the Men in Black organization.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Men in Black: International?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

F. Gary Gray

Written by

Art Marcum · Matt Holloway

Chris Hemsworth

Chris Hemsworth

Agent H

Tessa Thompson

Tessa Thompson

Agent M

Kumail Nanjiani

Kumail Nanjiani

Pawny (voice)

Rebecca Ferguson

Rebecca Ferguson

Riza

Rafe Spall

Rafe Spall

Agent C

Emma Thompson

Emma Thompson

Agent O

Liam Neeson

Liam Neeson

Agent High T

Court is in session

Put Men in Black: International on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Auteur Devotee

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.