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White Dog

White Dog

Drama · Horror · Thriller · 1982

Samuel Fuller’s throat-grabbing exposé on American racism was misunderstood and withheld from release when it was made in the early eighties.Today, the notorious film is lauded for its daring metaphor and gripping pulp filmmaking. Kristy McNichol stars as a young actress who adopts a lost German shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people, and Paul Winfield plays the animal trainer who tries to cure him. A snarling, uncompromising vision, White Dog is a tragic portrait of the evil done by that most corruptible of all animals; the human being.

Movie details

White Dog

“When man’s best friend becomes his fiercest enemy…”

1982 Drama · Horror · Thriller 1h 30m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

11.2K votes

Rotten Tomatoes

94 %

Tomatometer

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Samuel Fuller’s throat-grabbing exposé on American racism was misunderstood and withheld from release when it was made in the early eighties.Today, the notorious film is lauded for its daring metaphor and gripping pulp filmmaking. Kristy McNichol stars as a young actress who adopts a lost German shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people, and Paul Winfield plays the animal trainer who tries to cure him. A snarling, uncompromising vision, White Dog is a tragic portrait of the evil done by that most corruptible of all animals; the human being.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over White Dog?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Targets

Targets

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The Outfit

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Peeping Tom

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The Critic

The Critic

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Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

Burnt Offerings

Burnt Offerings

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A family moves into a large old mansion in the countryside which seems to have a mysterious and sinister power over its new residents.

No Way Out

No Way Out

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Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Samuel Fuller

Written by

Romain Gary · Samuel Fuller · Curtis Hanson

Kristy McNichol

Kristy McNichol

Julie Sawyer

Paul Winfield

Paul Winfield

Keys

Burl Ives

Burl Ives

Carruthers

Jameson Parker

Jameson Parker

Roland Grale

Christa Lang

Christa Lang

Nurse

Vernon Weddle

Vernon Weddle

Vet

Karl Lewis Miller

Karl Lewis Miller

Attacker

Court is in session

Put White Dog on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.