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Villa Rides

Villa Rides

Western · 1968

Pulled into the Mexican Revolution by his own greed, Texas gunrunner and pilot Lee Arnold joins bandit-turned-patriot Pancho Villa and his band of dedicated men in a march across Mexico battling the Colorados and stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté

Movie details

Villa Rides

“Villa rages! Villa lusts! Villa kills! VILLA RIDES!”

1968 Western 2h 1m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Pulled into the Mexican Revolution by his own greed, Texas gunrunner and pilot Lee Arnold joins bandit-turned-patriot Pancho Villa and his band of dedicated men in a march across Mexico battling the Colorados and stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Villa Rides?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Treasure of the Sierra Madre

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Names above the title

The people responsible.

Directed by

Buzz Kulik

Written by

Robert Towne · Sam Peckinpah

Yul Brynner

Yul Brynner

Pancho Villa

Robert Mitchum

Robert Mitchum

Lee Arnold

Maria Grazia Buccella

Maria Grazia Buccella

Fina

Charles Bronson

Charles Bronson

Rodolfo Fierro

Herbert Lom

Herbert Lom

General Huerta

Robert Viharo

Robert Viharo

Urbina

Frank Wolff

Frank Wolff

Ramirez

Court is in session

Put Villa Rides on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Patience is part of the point.”

Duration becomes texture. The film asks you to inhabit its world instead of merely processing its plot.

The prosecution The Adrenaline Seeker

“A test of endurance, your honour.”

Stillness keeps submitting itself as meaning. At some point, contemplation needs something worth contemplating.