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Conviction

Conviction

Drama · 2019

Ever since she served on the jury during his trial, Nora has been convinced that Jacques Viguier is innocent, despite him being accused of murdering his wife. Following an appeal by the public prosecutor’s office, and fearing a miscarriage of justice, she convinces a leading lawyer to defend him during his second trial, on appeal. Together, they will put up a tenacious fight against injustice.

Movie details

Conviction

2019 Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Ever since she served on the jury during his trial, Nora has been convinced that Jacques Viguier is innocent, despite him being accused of murdering his wife. Following an appeal by the public prosecutor’s office, and fearing a miscarriage of justice, she convinces a leading lawyer to defend him during his second trial, on appeal. Together, they will put up a tenacious fight against injustice.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Conviction?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Antoine Raimbault

Written by

Antoine Raimbault · Isabelle Lazard

Marina Foïs

Marina Foïs

Nora

Olivier Gourmet

Olivier Gourmet

Maître Eric Dupond-Moretti

Laurent Lucas

Laurent Lucas

Jacques Viguier

Philippe Uchan

Philippe Uchan

Olivier Durandet

Jean Benguigui

Jean Benguigui

Maître Francis Szpiner

François Fehner

François Fehner

President Jacques Richiardi

François Caron

François Caron

Maître Laurent de Caunes

Court is in session

Put Conviction on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.