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Blindspotting

Blindspotting

Comedy · Crime · Drama · 2018

Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.

Movie details

Blindspotting

“Change the way you see.”

2018 Comedy · Crime · Drama 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blindspotting?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Tyler Perry's Madea on the Run - The Play

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Panic

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Names above the title

The people responsible.

Directed by

Carlos López Estrada

Written by

Rafael Casal · Daveed Diggs

Daveed Diggs

Daveed Diggs

Collin

Rafael Casal

Rafael Casal

Miles

Janina Gavankar

Janina Gavankar

Val

Jasmine Cephas Jones

Jasmine Cephas Jones

Ashley

Ethan Embry

Ethan Embry

Officer Molina

Tisha Campbell

Tisha Campbell

Mama Liz

Utkarsh Ambudkar

Utkarsh Ambudkar

Rin

Court is in session

Put Blindspotting on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.