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Howl's Moving Castle

Howl's Moving Castle

Fantasy · Animation · Adventure · 2004

Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.

Movie details

Howl's Moving Castle

“The two lived there.”

2004 Fantasy · Animation · Adventure 1h 59m

Critical arithmetic

One number, for now.

TMDB

8.4 / 10

Community rating

Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Howl's Moving Castle?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Hayao Miyazaki

Written by

Hayao Miyazaki

Chieko Baisho

Chieko Baisho

Sophie (voice)

Takuya Kimura

Takuya Kimura

Howl (voice)

Akihiro Miwa

Akihiro Miwa

Witch of the Waste (voice)

Tatsuya Gashuin

Tatsuya Gashuin

Calcifer (voice)

Ryunosuke Kamiki

Ryunosuke Kamiki

Markl (voice)

Mitsunori Isaki

Mitsunori Isaki

Kosho (voice)

Yo Oizumi

Yo Oizumi

Prince Justin / Turnip Head (voice)

Court is in session

Put Howl's Moving Castle on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.