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Take Me Home Tonight

Take Me Home Tonight

Comedy · Drama · Romance · 2011

Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.

Movie details

Take Me Home Tonight

“Best. Night. Ever.”

2011 Comedy · Drama · Romance 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Take Me Home Tonight?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Dowse

Written by

Jackie Filgo · Jeff Filgo · Topher Grace · Gordon Kaywin

Topher Grace

Topher Grace

Matt Franklin

Anna Faris

Anna Faris

Wendy Franklin

Dan Fogler

Dan Fogler

Barry Nathan

Teresa Palmer

Teresa Palmer

Tori Frederking

Chris Pratt

Chris Pratt

Kyle Masterson

Michael Biehn

Michael Biehn

Bill Franklin

Jeanie Hackett

Jeanie Hackett

Libby Franklin

Court is in session

Put Take Me Home Tonight on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.