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Austerlitz

Austerlitz

Drama · History · War · 1960

A return to the life of the Little Corporal with a dramatisation of the decisive 1805 conflict between French forces and the armies of Austria and Russia. An epic reconstruction of the battle of Austerlitz, where Bonaparte had the greatest victory of his career.

Movie details

Austerlitz

1960 Drama · History · War 2h 46m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A return to the life of the Little Corporal with a dramatisation of the decisive 1805 conflict between French forces and the armies of Austria and Russia. An epic reconstruction of the battle of Austerlitz, where Bonaparte had the greatest victory of his career.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Austerlitz?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Abel Gance

Written by

Abel Gance · Nelly Kaplan · Roger Richebé

Pierre Mondy

Pierre Mondy

Napoléon Bonaparte

Martine Carol

Martine Carol

Joséphine de Beauharnais

Claudia Cardinale

Claudia Cardinale

Pauline Bonaparte

Leslie Caron

Leslie Caron

Mlle de Vaudey

Vittorio De Sica

Vittorio De Sica

le pape Pie VII

E

Elvira Popescu

Lætitia Bonaparte

Jean Marais

Jean Marais

Carnot

Court is in session

Put Austerlitz on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.