“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

No Name on the Bullet
Action · Thriller · Western · 1959
When hired killer John Gant rides into Lordsburg, the town's folk become paranoid as each leading citizen has enemies capable of using the services of a professional killer for personal revenge.
No Name on the Bullet
“Twenty-four "victims" had died before his lightning draw...until he came to the quiet town that had marked him for death!”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
7.2 / 10
3.2K votes
TMDB
6.6 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
When hired killer John Gant rides into Lordsburg, the town's folk become paranoid as each leading citizen has enemies capable of using the services of a professional killer for personal revenge.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over No Name on the Bullet?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Auteur Devotee
“You watch the director, not the movie.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Jack Arnold
Written by
Gene L. Coon · Howard Amacker
Put No Name on the Bullet on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.






