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In the Soup

In the Soup

Comedy · Drama · 1992

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

Movie details

In the Soup

“A comedy about getting in over your head.”

1992 Comedy · Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In the Soup?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Class Act

Class Act

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Duncan is a genius straight A student, Blade is ajuvenile delinquent. But because of a mix up with their school records, everyone thinks each is the other one. Now, Duncan kind of likes the attention from being thought of as a real bad dude, if only the school bully would stop trying to rough him up. And Blade definitely likes being thought of as important instead of as trouble.

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Tyler Perry's Madea on the Run - The Play

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Landline

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Where it lives

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Names above the title

The people responsible.

Directed by

Alexandre Rockwell

Written by

Sollace Mitchell · Alexandre Rockwell

Steve Buscemi

Steve Buscemi

Aldolpho Rollo

Seymour Cassel

Seymour Cassel

Joe

Jennifer Beals

Jennifer Beals

Angelica Pena

Pat Moya

Pat Moya

Dang

Will Patton

Will Patton

Skippy

Stanley Tucci

Stanley Tucci

Gregoire

Elizabeth Bracco

Elizabeth Bracco

Jackie

Court is in session

Put In the Soup on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.