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The Fireman

The Fireman

Comedy · 1916

Firefighter Charlie Chaplin is tricked into letting a house burn by an owner who wants to collect on the insurance.

Movie details

The Fireman

1916 Comedy 26m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Firefighter Charlie Chaplin is tricked into letting a house burn by an owner who wants to collect on the insurance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fireman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings six months previously, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.

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Accident Man

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Action · 2018

Mike Fallon, the Accident Man, is a stone cold killer. When a loved one is murdered by his own crew, Fallon is forced to avenge the one person who actually meant something to him.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Charlie Chaplin

Written by

Maverick Terrell · Charlie Chaplin · Vincent Bryan

Charlie Chaplin

Charlie Chaplin

Fireman

Edna Purviance

Edna Purviance

Girl

Lloyd Bacon

Lloyd Bacon

Her Father

Eric Campbell

Eric Campbell

Foreman of the Brigade

Leo White

Leo White

Owner of Burning House

Charlotte Mineau

Charlotte Mineau

Mother

Albert Austin

Albert Austin

Fireman

Court is in session

Put The Fireman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.