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After

After

Drama · Romance · 2019

Tessa Young is a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart. Entering her first semester of college, Tessa's guarded world opens up when she meets Hardin Scott, a mysterious and brooding rebel who makes her question all she thought she knew about herself -- and what she wants out of life.

Movie details

After

“After your first, life is never the same.”

2019 Drama · Romance 1h 46m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Tessa Young is a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart. Entering her first semester of college, Tessa's guarded world opens up when she meets Hardin Scott, a mysterious and brooding rebel who makes her question all she thought she knew about herself -- and what she wants out of life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over After?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jenny Gage

Written by

Susan McMartin · Jenny Gage · Tom Betterton · Tamara Chestna

Josephine Langford

Josephine Langford

Tessa Young

Hero Fiennes Tiffin

Hero Fiennes Tiffin

Hardin Scott

Shane Paul McGhie

Shane Paul McGhie

Landon Gibson

Khadijha Red Thunder

Khadijha Red Thunder

Steph Jones

Dylan Arnold

Dylan Arnold

Noah Porter

Samuel Larsen

Samuel Larsen

Zed Evans

Inanna Sarkis

Inanna Sarkis

Molly Samuels

Court is in session

Put After on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.