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DeadTectives

DeadTectives

Comedy · Horror · 2019

A team of reality TV paranormal investigators go to Mexico's most haunted house in the pursuit of better ratings. However, when the true dark secrets of the mansion begin to reveal themselves, the hapless team quickly discover that this house is no hoax. With zero genuine ghost-hunting experience, they have to figure out how to stop the ghosts and escape the house with their lives.

Movie details

DeadTectives

“Fake hunters. Real ghosts. Complete dicks.”

2019 Comedy · Horror 1h 32m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A team of reality TV paranormal investigators go to Mexico's most haunted house in the pursuit of better ratings. However, when the true dark secrets of the mansion begin to reveal themselves, the hapless team quickly discover that this house is no hoax. With zero genuine ghost-hunting experience, they have to figure out how to stop the ghosts and escape the house with their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over DeadTectives?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tony West

Written by

Tony West · David Clayton Rogers · Mark Riley · Cris Rice

Chris Geere

Chris Geere

Sam

Tina Ivlev

Tina Ivlev

Kate

David Newman

David Newman

Lloyd

José María de Tavira

José María de Tavira

Javier

Martha Higareda

Martha Higareda

Abril

E

Emilio Savinni

Dead Father

M

Mark Riley

Bob

Court is in session

Put DeadTectives on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.