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Three

Three

Horror · Mystery · 2002

An anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.

Movie details

Three

“When two just ain't enough!”

2002 Horror · Mystery 2h 9m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

An anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Three?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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What starts as a poignant medical documentary about Deborah Logan's descent into Alzheimer's disease and her daughter's struggles as caregiver degenerates into a maddening portrayal of dementia at its most frightening, as hair-raising events begin to plague the family and crew and an unspeakable malevolence threatens to tear the very fabric of sanity from them all.

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Southbound

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Names above the title

The people responsible.

Directed by

Nonzee Nimibutr · Peter Chan Ho-Sun · Kim Jee-woon

Written by

Ek Iemchuen · Matt Chow Hoi-Kwong · Su Chaobin · Nonzee Nimibutr

Kim Hye-soo

Kim Hye-soo

Wife (segment "Memories")

Jung Bo-seok

Jung Bo-seok

Husband (segment "Memories")

Suwinit Panjamawat

Suwinit Panjamawat

Gaan (segment "The Wheel")

Leon Lai Ming

Leon Lai Ming

Yu Fai (segment "Going Home")

Eric Tsang Chi-Wai

Eric Tsang Chi-Wai

Chan Kwok-wai (segment "Going Home")

John Shum Kin-Fun

John Shum Kin-Fun

Photographer (segment "Going Home")

Eugenia Yuan

Eugenia Yuan

Hai'er (segment "Going Home")

Court is in session

Put Three on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.