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The Cheerleaders

The Cheerleaders

Comedy · 1973

A group of cheerleaders from the local high school decide to show their school spirit for their football team by sleeping with the opponents the night before the game so that they can be so worn out the opposition won't be able to play.

Movie details

The Cheerleaders

“Come and huddle with the cheerleaders.”

1973 Comedy 1h 23m

Critical arithmetic

The consensus, allegedly.

IMDb

5.4 / 10

1.6K votes

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A group of cheerleaders from the local high school decide to show their school spirit for their football team by sleeping with the opponents the night before the game so that they can be so worn out the opposition won't be able to play.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Cheerleaders?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Paul Glickler

Written by

Tad Richards · Paul Glickler · Richard Lerner · Ace Baandige

Stephanie Fondue

Stephanie Fondue

Jeannie

Denise Dillaway

Denise Dillaway

Claudia

Jovita Bush

Jovita Bush

Bonnie

Brandy Woods

Brandy Woods

Debbie

Clair Dia

Clair Dia

Suzie (as Sandy Evans)

Kimberly Hyde

Kimberly Hyde

Patty (as Kim Stanton)

R

Richard Meatwhistle

Jon

Court is in session

Put The Cheerleaders on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.