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The Great Hack

The Great Hack

Documentary · 2019

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

Movie details

The Great Hack

“They took your data. Then they took control.”

2019 Documentary 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Great Hack?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Karim Amer · Jehane Noujaim

Written by

Erin Barnett · Karim Amer · Pedro Kos

Brittany Kaiser

Brittany Kaiser

Self - Former Dir. of Business Development, Cambridge Analytica

David Carroll

David Carroll

Self - Associate Professor Parsons School of Design

Paul-Olivier Dehaye

Paul-Olivier Dehaye

Self - Founder @PersonalDataIO

Ravi Naik

Ravi Naik

Self - Data Rights Solicitor

J

Julian Wheatland

Self - Former COO/CFO Cambridge Analytica/SCL

C

Carole Cadwalladr

Self - Investigative Journalist for The Guardian

C

Christopher Wiley

Self - Former Cambridge Analytica Employee and Whistleblower

Court is in session

Put The Great Hack on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.