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Saving Flora

Saving Flora

Adventure · Drama · Family · 2019

Flora is a circus elephant who can no longer perform her tricks. The night before she's scheduled to be euthanized, the circus owner's 14-year old daughter, Dawn, sneaks Flora from the circus. All that stands between them and the safety of the elephant preserve is two hundred kilometers of woods, one raging river, two elephant hunters and the fear of not making it.

Movie details

Saving Flora

“How far would you go to save a friend?”

2019 Adventure · Drama · Family 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Flora is a circus elephant who can no longer perform her tricks. The night before she's scheduled to be euthanized, the circus owner's 14-year old daughter, Dawn, sneaks Flora from the circus. All that stands between them and the safety of the elephant preserve is two hundred kilometers of woods, one raging river, two elephant hunters and the fear of not making it.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Saving Flora?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Drury Taylor

Written by

Mark Drury Taylor · David Moss

Jenna Ortega

Jenna Ortega

Dawn

Martin Martinez

Martin Martinez

Sebastian

David Arquette

David Arquette

Henry

Leonor Varela

Leonor Varela

Isabella

Galen Howard

Galen Howard

Bob

Tom Arnold

Tom Arnold

Runyon

Rhea Perlman

Rhea Perlman

Gabriella

Court is in session

Put Saving Flora on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.