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The Last Time I Saw Paris

The Last Time I Saw Paris

Drama · Romance · 1954

Reporter Charles Wills, in Paris to cover the end of World War II, falls for the beautiful Helen Ellswirth following a brief flirtation with her sister, Marion. After he and Helen marry, Charles pursues his novelistic ambition while supporting his new bride with a deadening job at a newspaper wire service. But when an old investment suddenly makes the family wealthy, their marriage begins to unravel — until a sudden tragedy changes everything.

Movie details

The Last Time I Saw Paris

“The sensational story of youth on a fling”

1954 Drama · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Reporter Charles Wills, in Paris to cover the end of World War II, falls for the beautiful Helen Ellswirth following a brief flirtation with her sister, Marion. After he and Helen marry, Charles pursues his novelistic ambition while supporting his new bride with a deadening job at a newspaper wire service. But when an old investment suddenly makes the family wealthy, their marriage begins to unravel — until a sudden tragedy changes everything.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Time I Saw Paris?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Richard Brooks

Written by

Philip G. Epstein · Julius J. Epstein · Richard Brooks

Elizabeth Taylor

Elizabeth Taylor

Helen Ellswirth

Van Johnson

Van Johnson

Charles Wills

Walter Pidgeon

Walter Pidgeon

James Ellswirth

Donna Reed

Donna Reed

Marion Ellswirth

Eva Gabor

Eva Gabor

Lorraine Quarl

Kurt Kasznar

Kurt Kasznar

Maurice

George Dolenz

George Dolenz

Claude Matine

Court is in session

Put The Last Time I Saw Paris on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.