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The Reivers

The Reivers

Comedy · Drama · 1969

In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.

Movie details

The Reivers

“Boon is a reiver (that's a cheat, a liar, a brawler and womaniser) and he had just four days to teach young Lucius the facts of life (like cheating, lying, brawling and womanizing).”

1969 Comedy · Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Reivers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Missouri Breaks

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Where it lives

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Names above the title

The people responsible.

Directed by

Mark Rydell

Written by

Irving Ravetch · Harriet Frank Jr.

Steve McQueen

Steve McQueen

Boon Hogganbeck

Sharon Farrell

Sharon Farrell

Corrie

Ruth White

Ruth White

Miss Reba

Michael Constantine

Michael Constantine

Mr. Binford

Clifton James

Clifton James

Butch Lovemaiden

Juano Hernández

Juano Hernández

Uncle Possum

Lonny Chapman

Lonny Chapman

Maury McCaslin

Court is in session

Put The Reivers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.