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The Audrey Hepburn Story

The Audrey Hepburn Story

Drama · TV Movie · 2000

The film spans from Hepburn's early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents' divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany's.

Movie details

The Audrey Hepburn Story

“Experience the loves, tragedies and triumphs of a beloved screen legend.”

2000 Drama · TV Movie 2h 13m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The film spans from Hepburn's early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents' divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany's.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Audrey Hepburn Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Steven Robman

Written by

Marsha Norman

Jennifer Love Hewitt

Jennifer Love Hewitt

Audrey Hepburn

Frances Fisher

Frances Fisher

Ella van Heemstra

Keir Dullea

Keir Dullea

Joseph Hepburn

Gabriel Macht

Gabriel Macht

William Holden

Peter Giles

Peter Giles

James Hanson

Emmy Rossum

Emmy Rossum

Young Audrey Hepburn (ages 12-16)

Eric McCormack

Eric McCormack

Mel Ferrer

Court is in session

Put The Audrey Hepburn Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.