The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Sundays at Tiffany's
Drama · Romance · TV Movie · 2010
Jane, a soon-to-be-married woman, is reunited with her imaginary friend Michael who returns in a human form. Soon, Jane begins doubting her feelings for her fiance as she gets attracted to Michael.
Movie details
Sundays at Tiffany's
2010 Drama · Romance · TV Movie 1h 28m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
Jane, a soon-to-be-married woman, is reunited with her imaginary friend Michael who returns in a human form. Soon, Jane begins doubting her feelings for her fiance as she gets attracted to Michael.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Sundays at Tiffany's?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Mark Piznarski
Written by
Jennifer Heath · Heather Maidat · Nancey Silvers
Alyssa Milano
Jane Claremont
Eric Winter
Michael Friend
Kristin Booth
Jacqueline
Emily Alyn Lind
Young Jane
Ivan Sergei
Hugh Morrison
Stockard Channing
Vivian Claremont
Robyn Thaler Hickey
Tiffany's Saleswoman
Court is in session
Put Sundays at Tiffany's on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.