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Villain

Villain

Crime · Drama · 2010

Shimizu Yuichi is a shy and lonely day laborer looking for love. He aimlessly spends time corresponding with girls via telephone dating services and going on random encounters with girls looking for spending cash. His world is shattered one day when he is involved in the murder of one of his former encounters, the sweet-faced Ishibashi Yoshino who, after being jilted by playboy Masuo Keijo, berates and mocks the troubled loner.

Movie details

Villain

2010 Crime · Drama 2h 19m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Shimizu Yuichi is a shy and lonely day laborer looking for love. He aimlessly spends time corresponding with girls via telephone dating services and going on random encounters with girls looking for spending cash. His world is shattered one day when he is involved in the murder of one of his former encounters, the sweet-faced Ishibashi Yoshino who, after being jilted by playboy Masuo Keijo, berates and mocks the troubled loner.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Villain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sang-il Lee

Written by

Sang-il Lee · Shuichi Yoshida

Satoshi Tsumabuki

Satoshi Tsumabuki

Shimizu

Eri Fukatsu

Eri Fukatsu

Mitsuyo

Masaki Okada

Masaki Okada

Keigo Masuo

Hikari Mitsushima

Hikari Mitsushima

Yoshino Ishibashi

Sansei Shiomi

Sansei Shiomi

Keiji Sano

Mansaku Ikeuchi

Mansaku Ikeuchi

Norio Kubo

Ken Mitsuishi

Ken Mitsuishi

Norio Yajima

Court is in session

Put Villain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.